Event photography for CDIA, including CDIA Connect, a multi-day conference in Washington, DC.
Corporate + event photography
Conference coverage, corporate events, and on-site headshots, planned around the people, moments, and pictures your organization actually needs.
Edited galleries, delivered within 1 to 2 business days.
Based in the Mid-Atlantic. Covering Washington, DC and events across the U.S.
Recent event work
Event photography for CDIA, including CDIA Connect, a multi-day conference in Washington, DC.
Corporate events and commencement for SANS and the SANS Technology Institute.
Since 2023, I have also photographed a long list of events at the National Press Club in Washington, DC, from policy briefings to awards programs.
Anyone can photograph a speaker at a lectern. The pictures your team ends up using are usually the others: the person in the third row who just heard something they did not expect, two people who finally got to meet in the hallway, a full ballroom a few minutes before the keynote.
I work to get all of it, and to get it without anyone feeling like they are being photographed. You end up with a gallery your communications team can use right away, for social media, press, the recap email, and next year's sponsor deck.
My job is to get the photographs without becoming part of the event.
Agendas slip. A keynote runs long, a VIP arrives early, a sponsor wants one more group shot before lunch. I have worked enough of these to expect it, and I am usually already standing where the next thing is going to happen.
Since 2023, a lot of that has been at the National Press Club, along with hotel ballrooms, university halls, and private venues around the region. I am comfortable around executives, speakers, and press, and I stay out of the way of all of them. I am based in Shepherdstown, West Virginia, about ninety minutes from DC, and I work events across the Mid-Atlantic and around the country.
Before the event, I want to know where the photographs are going. It changes what we intentionally photograph, and it keeps the gallery useful instead of just full.
If you are not sure yet, that is fine. We can sort it out when we build the coverage plan.
Event coverage
Keynotes, breakouts, panels, the exhibit floor, sponsor signage, and the hallway in between. I work from your agenda and adjust when it changes, which it will.
Candids, a few group shots if you want them, and the sponsor moments your team needs to show later. I keep it loose so people stay relaxed.
The presentation, the handshake, the look on the winner's face, and a portrait of each recipient if there is a good spot for it.
Panels, briefings, member meetings, and receptions, often in rooms with flags, TV cameras, and a strict schedule. I have done a lot of these.
The same careful eye on every day, with galleries sorted by day and session so your team is not hunting for anything.
Leadership, keynote speakers, and special guests, photographed quietly. If someone can give you ten minutes for portraits between sessions, I can make good use of them.
Headshots
Scheduled headshots for the people your organization needs photographs of, set up where your team already is, so it fits into the day instead of pulling people out of it.
Headshots can be part of an event or a standalone assignment. If your executives, speakers, or board members are all in one place anyway, that is a good time for portraits too.
Good for
Tell me who needs photographs and where, and I will build a schedule into your proposal.
Ask about headshotsWho they are, how many, and where. A conference, an office, a leadership offsite.
I plan around your day, so people come through at set times and the rest of the event keeps moving.
Finished photographs in an online gallery, ready for websites, directories, and press.
Recurring events and travel
For recurring events, it helps to work with someone who already knows your people, your brand, and your priorities. You should not have to start over with a new photographer every time the conference changes cities.
I am based in the Mid-Atlantic and available to travel for events across the U.S. We will work out the coverage and the travel as part of the proposal, so the plan is clear before you book.
Tell me about your calendarOver time, I learn
Pricing
Every event is a little different, so I quote each one. These are starting points, so you can budget before we talk.
The final number moves with the hours, the number of days, how quickly you need photographs, and whether you want a second photographer.
A reception, a panel, a briefing, or an awards program.
from$500
per hour, 2 hour minimum
Edited images, delivered within 1 to 2 business days of the event.
A shorter conference, a ceremony, or a long reception.
from$1,750
up to 4 hours
150+ edited images, delivered within 1 to 2 business days of the event.
A conference, a summit, or an all-day meeting.
from$3,250
up to 8 hours
250+ edited images, delivered within 1 to 2 business days of the event.
I would rather cover your real agenda than squeeze it into a daily rate.
Custom
a quote built around your schedule
Delivery planned around your agenda, in your quote.
Additional coverage is from $500 an hour.
Also in every booking: a Standard Business Usage License, a private online gallery for downloading and sharing, and backup gear with your images backed up as I go. Clear pricing, with any travel or venue costs shown in your quote up front.
Tap what you want. Nothing is booked or charged.
Request my proposalStandard delivery is within 1 to 2 business days of the event. If your communications team needs images the same day, tell me and we will plan for it, whether that means a handful of finished photographs to post that afternoon or the whole gallery on a faster clock.
A small set of finished photographs you can post while people are still talking about the event.
A fuller selection, edited and waiting for you first thing the next morning.
Everything, edited, on a shorter clock than usual, for when the whole team needs it.
Click any photograph to see it large.
Keynotes, panels, and the person at the audience microphone.
Hallways, coffee lines, and cocktail hour.
Full rooms, big stages, and ceremonies.
Signs, programs, swag, and anything a sponsor paid for.
Laughing, listening, and getting very into the prize wheel.
The date, the place, the schedule so far, and what the photographs are for.
I plan around your agenda, your people, and where the pictures are going, so the gallery is useful and not just full.
Coverage, deliverables, travel if there is any, and the price, all in one place. When you are ready, you sign and pay a retainer to reserve the date.
You run the event and I stay out of your way. Your team gets an edited gallery that is easy to download and share.
Yes. I am based in the Mid-Atlantic and available for events across the U.S. Washington, DC, Virginia, Maryland, West Virginia, and Pennsylvania are regular work for me. For events farther away, we work out the coverage and the travel together, and your proposal shows the plan before you book.
I do. You deal with me from your first message through delivery of the gallery.
Yes, and they are common. I build the coverage around your agenda, and the galleries come back sorted by day.
Yes. Headshots can be added to an event or booked on their own. Tell me who needs them and where, and I will build a schedule into your proposal.
Yes. Many organizations run more than one event a year, or move a conference from city to city. If you tell me what is on your calendar, we can plan the coverage together and keep it consistent from event to event.
Starting points are on this page: from $500 an hour with a 2 hour minimum, half days from $1,750, and full days from $3,250. Multi-day events are quoted around your agenda. Your proposal shows the final number, including travel when it applies.
Yes. Your organization gets a Standard Business Usage License, which covers your website, press materials, social media, email, presentations, reports, and sponsor decks. Bigger commercial uses, like a major advertising campaign, are handled separately, and the rate guide explains how.
Half-day coverage includes 150+ edited images and full-day coverage includes 250+. Shorter coverage delivers fewer, based on the length of the event, and a multi-day event is planned in your proposal. The goal is a complete record of the event, without padding the gallery with repeats.
Standard delivery is within 1 to 2 business days of the event. If you need photographs faster, same-day selects and next-day galleries are both available.
Often, yes. Same-day selects depend on the size and schedule of the event, so we plan for them ahead of time. Tell me you need them and I will build it into the proposal.
Always.
Please send one. VIPs, sponsor requirements, must-have photographs, and brand guidelines all help, and the more I know ahead of time, the better the gallery will be.
No, only photographs. I am glad to work alongside your video team.
One reception, a multi-day conference, or a year of events: send me what you know so far. A date, or even a rough window, is plenty to get started.
I will write back with availability and a proposal. Sending this form does not hold a date, and nothing is booked until you sign.
You can also email me directly at aaron@aaronmayphoto.com.